Getting High in Peru:
Pukapucara
PucaPucara/Pukapucara
means “Red (Puka) Fort (Pucara)” in Quechua and possibly is pre-Inca but when
conquered by the Inca was used as a control to get into Cusco, the Sacred City.
This is where the Sacred Valley with its Inca Trail to Pisac and Machu Picchu
begins.
Google Maps |
Standing
sentinel approximately four miles (7 km) out from Cusco, at 12,450 feet (3750
m), it is small with strong walls and good view of the area. The fortress was
not built in classical Inca fashion, lacking much of the beauty of finely
crafted stone as in what remains at Cusco, Machu Picchu, or other Inca sites.
Approaching the site |
One suggestion is that it was built during the time of the 9th Inca
ruler, Pachacutec, late in Inca rule and therefore not as finely built. Another
possibility is that it was a rush job. A third possibility as suggested above
is that it was built by the pre-Inca and then taken over and used by the
Inca.
Approximately
half of a kilometer away and in view of this fortress, is Quinua Puquio (The Spring of the Quinoa), also called Tambomachay
or El Bano del Inca (The Bath of the Inca) today. This site is a better example
of Inca construction (large irregular-cut blocks set together along with
trapezoid niches or window) in contrast to Pukapucara and also shows how
important and sacred water sources were for the Incan societies. Most
authorities seem to feel that this site presents a prime example of the Inca of
linking the sacred world with their Inca world. It has an underground spring
reaching the surface here and then channeled into fountains. This site is one of ninety-two shrines built
around the Cusco area.
Niche Pic by Enrique Aguilar and a Google maps shot in Peru
Prints folder
Photo by Enrique Aguilar |
Photo by Enrique Aguilar |
Q’enko
Approaching Qenko |
Entering the Labyrinth |
Looking down on Cusco |
You pass by Qenko on your way to Pukapucara so it is
perhaps 3 miles outside Cusco. You are able to look down on Cusco from this
site. Its Quechua Qenko name means “Zigzag” or Labyrinth. And indeed, there are
no straight paths at this site. Part of this site’s uniqueness is that it is
cut from bedrock. You will see very few cut Incan block. Most of the sources,
including our guide, spoke of the three worlds represented here. We live in Kay Pacha, our world; we descend into
the Ukhu Pacha, the interior world,
and we aspire to the Hanan Pacha, the
cosmos where the divinities reside.
We did indeed descend into the interior world for we
zigzagged in a passage that took us to a subterranean cave with altars hewn
from the rock. It seems to be clear that Qenko had been a religious site.
According to Jesus, our guide, it is suggested that in our descent into Ukhu
Pacha, the interior world, that this is where bodies were prepared for
mummification and the world of the dead. The stone altar was very cold, colder
than the surrounding rock and cave, and Jesus said that if you lay on the stone
for 30 minutes, you would get hypothermia. The mummification process, for the
elite and those chosen as offerings for the mountain spirits, included draining
the body of blood, removing the brain matter and disemboweling the person, and
then using the coldness of the stone, the heat of the day, and plant matter to
dry out the body.
Back in our world, the Kay Pacha, there is a monolith, an upright rock on site, surrounded by a semi-circular area. I did not know at the time that this rock represents the frog (or toad) in a pond. Frogs were harbingers of water springs and rain. Frogs dig into the ground or the bottom of ditches during dry seasons and when they come out of the ground, it is a sign that the rainy season is coming. Frogs croak—talking to the gods. I remember in my travels about Peru, that I’ve seen models of frogs by fountains and other places, just thinking that’s cute, but in Inca times, models of frogs were set in different places believing that the gods would then provide rain.
A frog/toad with its mouth up to the sky to receive rain? |
Paz y Shalom from Neal Bierling
Inca Mummification Table at Qenko?
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