Getting High in Peru, Museo de Sitio, Sipan, 2

The Museo de Sitio, Huaca Rajada—The Lords of Sipan, Part 2 and Final

Comparative Cultural Chart with Sipan's Moche 2nd from left.

        In my previous posting on the pre-Inca Sipan culture, my focus was on the capital site, the center of the Sipan culture at Huaca (Temple) Rajada. Out in the field at the Huaca Rajada, the staff of Museo de Sitio did an excellent job in providing reconstructions of the tombs with replica skeletons and replica artifacts. I did show a number of authentic artifacts from the on-site museum, but now my focus will be on the other offerings of the museum. Some of what I show might be a bit macabre, but the museum does offer the visitor a unique glimpse into what was recovered and how it would look as if you were the excavator. 

Museum drawing from the top of the Huaca looking down.

On-site model of the Huaca Complex

A brief review: the Moche thrived along the northern coast of what is now Peru along the river valleys from AD 100 to 700. They were the truncated-pyramid, platform master builders, expert at irrigation techniques, metallurgy, ceramics, developing trade with other cultures thus allowing their elite (the lords and others) to store quantities of ceramic jars, precious metals and stones in their tombs in preparation for the afterlife.

 

Above is a reconstruction of one of the tombs using replicas. Note the ceramic jars of offerings, the niches with more offerings, the human companion, the wood coffin with an elite surrounded by gilded-copper objects, and the llama on the right.

Close up of the above.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

         Below are two museum views of skeletal remains of one individual with its copper artifacts accompanying the deceased and below him are other skeletal remains and ceramic offerings.

 

 

Below are two views of skeletal remains of one individual with its copper artifacts accompanying the deceased and below him are other skeletal remains and ceramic offerings.

Now the close up of the reconstructed tomb again for what follows.

The reconstruction

Gilded-copper plates had been attached to a tunic

Museum drawing of such a tunic

Here is the priest wearing a gilded-copper tunic and wearing or carrying other gilded objects displayed in the coffin above. In his left hand is a ceremonial war club, and his right hand is holding a bowl, which originally may have contained the blood of a sacrificial victim.

 

In the previous posting, I showed the on-site reconstruction of the Lord of Sipan’s Tomb. The guardian of his tomb was buried at a higher level. Above are his skeletal remains. Note that his feet are missing. It is surmised that this was done to ensure that he would not leave his job as guardian.

Note this elite’s headgear, his ear ornaments, and his expansive necklace. The Old Lord of Sipan was dressed in a similar fashion but with finer gold and gilded-copper gear. 

 

Actual close ups of the artifacts above and below

The neckgear

Actual headgear

Model of how the artifacts were worn. I forgot to photograph the nose ring.

Other burials were recovered. The above were not as rich in burial goods, but they were buried in cane coffins.

This Sipan jar is classified as Late Moche and is definitely not as well-crafted as their earlier forms.

Lambayeque skeletal remains with some grave goods and examples of their ceramics, copper, and shell trade below.

Lambayeque Artifacts

Above the Lambayeque layer were the Chimu and above are the skeletal remains plus grave goods of a Chimu.

Above the Chimu were the Chimu-Inca and here is an example of one buried in a flexed position.

The archaeologists were digging stratigraphically, meaning that they were removing the soil with its artifacts layer by layer. Directly above the Sipan culture was a more recent Lambayeque culture burial(s) and the museum included some examples. The above photo is one of the burials. The Lambayeques are equated by some as Chimu.They in turn were followed by the Chimu-Inca, an example is also above.

Of course, the archaeologists as they dug down layer by layer first uncovered the Chimu-Inca burials, followed by the Chimu, then the Lambayeque, the Late Moche, and in the lowest burials in the ground were the Classical Moche highlighted in my postings of Sipan and Chan-Chan as examples. The Chart above focuses on Sipan in the left column and two other regions where the Moche also thrived for at least 600 hundred years. 

In the previous posting of Sipan I mentioned Walter Alva’s book, Sipan, where he describes his twenty years of excavation at the Huaca Rajada. It was due to the discovery of looting at the Huaca back in 1987, that he began his salvage excavation there, followed by a full-scale excavation. Near the end he of the book he describes how beginning in 1996-97, with the aid of US governmental agencies, he and Peru were able to recover artifacts found in the hands of Los Angeles collectors, on sale at Sotheby’s in New York, and then the FBI recovered more in Philadelphia.

            The poster below, which I photographed at the on-site museum, is also reproduced in his book features recovered artifacts.

A gilded-copper feline mask similar to the one featured on the façade of the on-site museum was recovered in cargo confiscated in Miami highlighted in the above close up. What happened to some of Peru’s cultural treasures is, sad to say, a problem all over the world. Peru has been fortunate to recover some of their cultural heritage.

  Above and below are the final photographs showing the Royal Tombs of Sipan Museum which attempts to emulate the truncated-pyramid shape of the Huacas and you enter (without cameras) via the ramp and then once inside you descend to the different levels of time.

         

Paz y Shalom from Neal Bierling